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BeatuyIsMedicine
Maskiikiwi-edt
Maskiikiwi-3
Bulrusher @McCarter Theatre. Photo by Lawrence E. Moten III
Bulrusher, Vera, Boy @McCarter Theatre, Photo by Lawrence E Moten III
Madame, Logger, Schoolch in Bulrusher @McCarter Theatre, Photo by Lawrence E Moten III
BULRUSHER 76
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Sisters 1 Textile Design
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Lilith
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The Conversion of Ka'ahumanu
The Conversion of Ka'ahumanu
Big Hog, Civilizations: All You Can Eat
Civilizations: All You Can Eat
Civilizations: All You Can Eat
Civilizations: All You Can Eat
A War of Roses
A War of Roses
A War of Roses
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A War of Roses
YW, YR, BW and BR
Stranger from Paradise
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Antebellum
Antebellum
Antebellum
Antebellum
The Skriker
The Skriker
Realm Magazine

Hello! I'm so glad that you're here.

Aanii, ndinaawamagaanadog!

Maygabow Ogidajew Kwe, nindizhinikaaz. Gaa-waabaabiganikaag + Um’oha, ndoonjibaa, Migizi ndoodem.

Hello, my relatives! My name is Woman Standing on the Mountaintop; Valerie St. Pierre Smith is my English name. A proud descendant of White Earth, I currently reside on the unceded lands of the Um’oha people, commonly known as Omaha, NE, USA. I am Eagle clan.

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A two-spirit mischief maker, multi-disciplinary designer/artisan, scholar, writer, and healer, I have an eclectic creative background including fashion, costume, hand drawn digital textile design, across multiple mediums.  

 

"Beauty truly is medicine."

- Valerie

 

My multi-disciplinary creative practice explores, and is deeply influenced by, my lived experiences as a mixed-blood Annishnaabe kwe, focusing on the confluence of healing, social justice, traditional Anishinaabe teachings, and the power of identity. 

 

My award-winning costume designs have been seen across the US with highlights that include McCarter Theater, Berkeley Repertory Theatre, The Kennedy Center, Woolly Mammoth Theatre, Mixed Blood Theatre, Sea World: San Diego, the National Museum of the American Indian, and Pilobolus Dance Theatre.

 

While having the great honor of attending the Indigenous Haute Couture Residency at the Banff Centre for Arts and Creativity, I developed, amongst many things, my signature technique of laser engraving hand drawn digital designs onto fabric for textiles and upcycling garments.


A bit of a unicorn, my very active creative research and scholarly practice focuses on indigenizing and decolonizing western design practices, paradigms, and pedagogy.

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Interested in indigenizing/decolonizing work?

 

Check out ​Publications and Press for some of my writings

+ follow me on Instagram for the most current musings, news, projects, and other nifty happenings.

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@valeriestpierresmith

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Miigwech agindan- thank you for reading!

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